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To Be a Good Player You Must “Own” the Clubface

To Be a Good Player You Must “Own” the Clubface

by Dr. TJ Tomasi, College of Golf Senior Faculty and Director of Research

In my opinion, of the great players, Ben Hogan had the most clubface control – but it wasn’t always that way; i.e., Hogan wasn’t always “Hogan.”

In fact, early in his career he called himself ‘the terror of the field mice’ because he had an uncontrollable duck hook that got low and left in a hurry.

After going broke on tour, it became clear to him that he couldn’t cash a ticket with that ‘snake in the bag.’
But through hard work on the range (‘I found it in the dirt’ he said), he came to understand clubface control, and in 1957, Hogan wrote what would become the most influential golf instruction book ever – Five Lessons – in which he outlined three keys to clubface control:

(1) Keeping the elbows pointing down to the ground
(2) Keeping them the same distance apart during the swing and
(3) Keeping the top of the arms in contact with the chest so they move together.

But Hogan wasn’t the only sharp shooter who demonstrated clubface control.

So accurate was Calvin Peete that they called him Peete and Re-Peete. When he was 11, he fell out of a tree and broke his left arm in three places. However, it never healed correctly, so his forearm couldn’t rotate and neither could the clubface. In 1966 at age 23 he played his first game of golf and qualified for the PGA tour a mere seven years later – then over a 20+ year career, he won 12 times and led the PGA Tour in driving accuracy for 10 consecutive seasons.

A few years later, there was another player (Tim Clark) who also had issues with his lead forearm – a congenital problem that made it difficult for the 2010 Player’s champion to pronate or rotate his left palm toward the ground, so his clubface was protected against excess rotation. Tiny Tim (5’7”, 165 pounds) averaged 69 strokes per round in 2009, an impressive feat that demonstrated the value of clubface stabilization.

Remember that the clubface determines 75-90% of the initial ball direction, depending on the club, so if you want to be accurate, you must find a way to “own” your clubface.

Try This to “Own” Your Clubface

First, keep your elbows close together. Most amateurs have elbows that separate as they swing, and that forces the clubface to point off the swing arc, so that depending on split second compensations, impact is never the same twice in a row. By keeping your elbows close together, especially in the downswing, you’ll find it’s much easier to have a repetitive motion.

Next, feel as if your elbows are always pointing at the ground, stabilizing the face so it doesn’t spin. Thirdly, velcro your triceps to your pecs.

Use This Drill to Control the Clubface

The Drill: hit some balls with a belt or elastic tubing tied around your arms just above the elbows to keep them close to one another.

Start with some 60- to 80-yard wedges to get the feel of having your elbows close together with a quiet face. Once you get use to the feeling hit some full shots with a driver.

To feel connection, place a head-cover or a towel under your arms, then keep it there with light pressure all the way to the top of your swing and well into your follow-through, at which point your connection is naturally broken.

What an Open Face Looks Like

You might be surprised that many golfers don’t know what a square clubface at address should look like – the toe is slightly behind the heel.

To see a square clubface lay the leading edge on the bottom of your clubhead flush with a flat surface – this looks open to many golfers the first few times they do it.

All full swing clubfaces open during the backswing, and once the takeaway starts, there are two ways to open the clubface: (1) body rotation, (2) forearm rotation.

When your clubface starts away from the ball, it’s in the process of opening (pointing to the right of target – left if you’re left handed).

This is because your body is rotating a few degrees to produce coil. Now, if you don’t spin the shaft on its own axis as you turn (aka quiet forearms), the clubface will stay square to whatever path or arc the club is moving on. In other words, your clubface will be open to the target (the first ‘right’) but square to its ARC.

Obviously, if you add forearm rotation during your backswing, your clubface will open even more (the second ‘right’), and it is this second opening and it’s closing during the downswing that creates your timing problems – which is why I warn my players: “Don’t spin the shaft, because two rights make a wrong.”

Note: Of course there is a small amount of natural forearm rotation due to inertia, but studies by Dr. Phil Cheetham show that the best players have the least amount of clubface rotation.

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4 comments

  1. Thank you for an excellant summary of face over-rotation; this is something I have been struggling with for years and trying to offset the rotation by forcing my hands to close the clubface on takeaway.

    The result of closing the clubface has been no wristcock and a lack of clubhead speed.

    I will try the Hogan drills you mention and look for the book which I am aware of but never read.

    Neil Greenwood – UK

  2. I have been opening the club at takeaway for months now. I have more balance now, arms stay together and turn down threw the ball is WAY better. Contact,distance and accuracy is the best ever. People tell me not to open the club so soon….until they see the flight!!!

  3. I always played with a closed clubface and a slightly arched left wrist with very little left forearm rotation on my backswing. Check out Four Magic Moves by Joe Dante-I used this system. No doubt the ball would invariably go straight but it was difficult to achieve clubhead speed unless i rotated my hips very quickly.

    I am now using the “Hogan” secret-a very open clubface at the top of the backswing caused by a clockwise left arm rotation. On the downswing, I rotate my left forearm counterclockwise and bow my left wrist (supinate) at impact. I have gained considerable clubhead speed and more distance and feel I can play better using this technique.

  4. I open the wrist right away exactly with the backswing all in tempo. The opening of the wrist gives me a nice high flight extra distance and very straight. It’s a game changer for me I love it. Not gonna change anything. Not quite as loose as Ricky fowler‘s quick opening just all one piece right from the start. This also seems to help with my right arm to get into my chest on the downswing and gets me in the slot a lot easier. I find it easy to time also. Thank you.

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